Benjamin West, Artistic Precedent, & Historical Accuracy
A contemporary biography of West, and John Thomas Flexner in America's
Old Masters, p. 66, asserts that West broke new ground by defying tradition
and painting a historical scene with historical figures in contemporary
dress. Charles Mitchell, in "Benjamin West's "Death of General Wolfe" and
the Popular History Piece," Journal of the Warburg and Courtauld Institutes,
Volume 7, 1944, pp. 10-33, argues otherwise. Mitchell indicates that there
were a number of precedents, including paintings of the death of Wolfe
(see
painting by Edward Penny). Mitchell also documents West's historical
innacuracies (citing an article by J. C. Webster in the Journal of the
Society of Army Historical Research, VI, 1927, p. 30 ff.). What West
did, according to Mitchell, was to create "a pictorial formula which both
expressed the national self-consciousness of Englishmen and perpetuated
the Christian and pagan traditions of ideal virtue." This was reinforced
and was itself reinforcing by the wide distribution of the painting as
an engraving which by itself made the engravers (by 1790), rich men.
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